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Mario Milizia
Milan, 1965. Lives and works in Italy.
He has exhibited his works in Italy and abroad, in public spaces and private galleries. His most important shows include the solo exhibitions at Viasaterna, Milan, 2017; Marsèlleria, Milan, 2014; Galerie Jousse Entreprise, Paris, 2001, 2003, 2009; Galerie Edward Mitterand, Geveva, 2002; Niitsu Art Forum, Niitsu, Japan, 2000; Neon, Bologna, 1998; and Soundtrack Without Film, at Viafarini, Milan, 1996. Milizia has taken part in many group shows, including Picture Perfect curated by Fantom, Viasaterna, Milano, 2015, Nativity curated by Michele D’Aurizio, Grand Century, New York, 2015, Il delitto quasi perfetto (The almost perfect crime), curated by Cristina Ricupero, PAC Milan, 2014, If I Was John Armleder, Art Genève 2013, curated by Luca Cerizza, Geneva, 2013, Playlist, Palais de Tokyo, Paris, 2004, The World, Speak For Gallery, Tokyo and Jousse Entreprise, Paris, 2003; Design et activisme, Speak For Gallery, Tokyo, 2001; Expander 1.0, curated by Pierre Bal Blanc and Laurent Godin, in cooperation with Blocnotes, Galerie Jousse Seguin, Paris, 1999; Seamless, curated by Luca Cerizza, De Appel Foundation, Amsterdam, 1998; Jingle Bells, curated by Uwe Schwarzer, Galleria Massimo De Carlo, Milan, 1997; Chi o che cosa a seconda dei casi (Who or what as the case may be), Neon, Bologna, 1997; Ne Dites Pas Non, curated by John Armleder, MAMCO, Geneva, 1997; 504, Zentrum für Kunst, Braunschweig, 1997; Aperto ’97, Trevi Flash Art Museum, Trevi, 1997; 1° Trevi Flash Art Museum Prize, Trevi Flash Art Museum, Trevi, 1996. The artist has written two short stories, Maxisequestro, 2013, , Il Delitto Quasi Perfetto, Pac Milano, 2014 curated by Cristina Ricupero; If I Was John Armleder, Geneve 2013, curated by Luca Cerizza Picture Perfect, curated by Fantom, Viasaterna, Milano, 2015, Nativity curated by Michele D’Aurizio, Grand Century, New York, 2015.
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