Venice, 1980. Lives and works between Venice and London.
Formerly a cinema set painter, Vitturi has brought this experience into his photographic practice, which revolves around site-specific interventions at the intersection of photography, sculpture and performance. In Vitturi’s process, photography in conceived as a space of transformation, where different disciplines merge together to represent an increasingly complex urban reality. Vitturi’s latest exhibitions have taken place at Flowers Gallery in London, T293 in Rome, Somerset House in London, The Photographers’ Gallery in London, at Foam Museum in Amsterdam, at Yossi Milo Gallery in New York, at Contact Gallery in Toronto and at the CNA in Luxembourg. Vitturi also participated in group exhibitions at Maxxi in Rome, Centre Georges Pompidou in Paris, La Triennale in Milan, the Shanghai Art Museum. After the group show Picture Perfect (Viasaterna, Milan), Droste Effect Debris and Other Problems is his first solo show in Italy.