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Tami Izko, Fold, 2018, stoneware, cm 16x24x24 Tami Izko, 2018, stoneware Tami Izko, Twine, 2019, porcelain, cm 30x5x4 Tami Izko, 2018, porcelain Tami Izko, Cosset, 2018, stoneware, cm 30x10x6






Images
Tami Izko, Fold, 2018, stoneware, cm 16x24x24 Tami Izko, 2018, stoneware, cm 25x13x12 Tami Izko, Twine, 2019, porcelain, cm 30x5x4 Tami Izko, 2018, porcelain, cm 16x12x12 Tami Izko, Cosset, 2018, stoneware, cm 30x10x6 Tami Izko, Whozoar, reclaimed porcelain, 15x18x18 Tami Izko, Azoar, stoneware, 13x20x10 Tami Izko, Wound 2, 2020, porcelain, 22x17x4 Tami Izko, Wound 3, 2020, porcelain, 22x17x4




Tami Izko
Cochabamba, Bolivia 1984. Lives and works between London and Milan.
After getting her degrees in Film Studies and Journalism, in 2016 she began to experiment with different media, concentrating on sculpture while also focusing on her writing. As in her texts, the ceramic objects she makes are often linked to self-representation. It is in the context of this research that she began to collaborate with Federico Clavarino in 2018. The result of their work together is Eel Soup, which was exhibited in Brussels, (Pinguin, 2018), Poland, Łódź (Fotofestiwal, 2018) and the Istanbul Biennial (2019). Her project On Light and Small Lives, a story featuring text and images, was exhibited last summer at the Royal College of Art (London, 2019). She’s currently working on new multidisciplinary projects exploring topics such as identity, memory and belonging linked to urban landscapes.






Exhibitions
Gradi di Vuoto 5th of December - 12th of February 2021 Eel Soup 10th December - 14th February 2020





News
Artissima 2022 Miart 2021 Are People Flowers? Artissima Unplugged interview with Federico Clavarino and Tami Izko






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